Throughout my work I have discussed the merits of many different frequencies. And we won’t simply be looking for the “magic” frequency, but rather, the “magic” frequencies-meaning it’s not just one note but rather a sequence of notes, either occurring horizontally or vertically that’s most effective. I believe, as we progress in our awareness of sound, that these different sonic relationships will become more important. From my perspective, this horizontal relationship of two notes simultaneously occurring is particularly effective in creating different ratios and different geometries. You could perceive of this as being the horizontal relationship of frequencies with one note above or below another note. In the West, we tend to focus more on the harmonic relationships of notes as they are struck together. Thus the power of the raga is contained in the notes that follow each other. What note goes before or after another note is the key. This relationship is linear and sequential. In India, the relationships of the notes could be considered to be vertical. I think that one of the important things to remember about different frequencies is that whether we view them horizontally or vertically, the effect of one frequency has a lot to do with the other frequencies (or notes) it’s related to. I wrote about this topic in detail in THE 7 SECRETS OF SOUND HEALING. With that said, I don’t think there is one frequency that is the “be all” and “end all” of frequencies-the one that will heal everyone or do other remarkable, spectacular and utterly amazing things.

From my perspective, every frequency has its own attributes. The Lemurian Tuning Forks, Magic Frequencies, and Sacred RatiosĮverybody’s searching for the “Magic Frequency”.

The Power of Sound Healing Online Course.Jonathan Goldman’s Complete Chakra Chanting Experience.

Frequency of tuning fork